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Online War Trauma And English Modernism : T.s. Eliot And D.h. Lawrence
Eliot and D. Basingstoke: Palgrave Macmillan, But for me it is not true, and nothing will ever make it so: least of all death, for death is a great reality and seal of truth: my truth, his truth.
It is terrible to think there are opposing truths — but so it is. It was left to lesser talents Sassoon, Graves, and Blunden are clearly writers of the second rank. As one would expect, these opening chapters set the context for the case studies that follow. Chapters on Isaac Rosenberg by Neil Corcoran and David Jones by David Poole focus on how they re-worked an amalgamation of sources from, respectively, the metaphysical and Romantic poets, and an array of warrior epics, not least Y Gododdin. Chapters on Siegfried Sassoon by Sarah Cole and the inter-relationship of Ivor Gurney and Edward Thomas by Edna Longley focus, in turn, on the psychological aspects of war experience and memory.
War Trauma and English Modernism
Sandra M. Gilbert has perhaps the most loaded subject in Wilfred Owen, who haunts many chapters in this volume, but her contribution is one of the most accomplished. A lot of ground has been covered before we reach Part III and here the pace intensifies in a series of chapters that attempt to deal with all the war poets who were not British soldier-poets. Although the chapters alternate between the two writers in order to point up similarities and differences, for reasons of space, I will deal with Lawrence first and more fully.
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